1. Midnights Children (Picador Books); Salman Rushdie: Pub. By Picador (1981)
2. Victor Shlovsky, “Art as Technique” (1917).
3. Fasold, R.W. 1984. “Sociolinguistics of Society”. Oxford: Basil, Blackwell.
4. Brennan Timothy: Salman Rushdie and the Third World: Myth of the Nation.
5. Dingwaney Anuradha. “Salman Rushdie” in Ed. Emmanuel S. Nelson, Writers of the Indian Diaspora. Westport: Greenwood Press, 1993.
6. Kirpal Viney. The New Indian Novel in English : A Study of the 1980s New Delhi: Allied Publishers, 1990.
7. Parameswaran, Uma. Salman Rushdie in Indo-English Literature in Journal of Indian Writing in English 12:2 (1984).
8. Kirpal Viney. “The Postmodern Indian English Novel: A Study of the 1980s and 1990s (Allied Publishers,1996).
9. Roy Anjali. : Making New Words/ Worlds: Options for the Indian Novelists in English in (ed) C.D. Narasimhaiah’s Maker of Indian English Literature. New Delhi: Pencraft, 2000.
10. Mark Currie(ed and intro) Metafiction London: Longman. 1995.
11. Linda Hutcheon, “Historiographic Metafiction”, in Metafiction. Ed. Mark Currie. London: Longman. 1995.
12. Anjali Roy, “Fantasy and Fiction, Myth and History: The Real/ Unreal Dichotomy in “Midnights Children” The Visvabharti Quarterly, Vol 9. 2000.
13. Arun P Mukherjee, “Characterization in Salman Rushdie’s Midnights Children” in ed. Kirpal(1990).
14. Dieter Riemenschneider “History and the Individual”. Anita Desai’s Clear Light of Day and Salman Rushdie’s Midnights Children in Ed. Kirpal (1990).