1. Barthes, Roland. Le Plaisir du texte (Paris: Editions due Seuil, 1973), tarns. As The Pleasure of the Text by Richard Miller (New York: Hill and Wang, 1975).
2. Beckett, Samuel. Endgame (New York: Grove Press, 1958).
3. Esslin, Martin. The Theatre of the Absurd (London: Pelican, 1972).
4. Jakobson, Roman. Linguistics and Poetics, in Thomas Sebeok (ed.), Style in Language (1960), repre. In David Lodge (ed.), Modern Criticism and Theory: A Reader (London and New York: Longman, 1988).
5. O’ Neill, Eugene. The Great God Brown. New York: OUP,1967.
6. Pinter, Harold. The Caretaker (London: Methuen, 1982), II.
7. Pinter, Harold. The Homecoming (London: Methuen, 1978), III.
8. Pinter, Harold. "Introduction", Pinter Plays: One, The Master Playwright Series (London: Eyre Methuen, 1981).
9. Saussure, Ferdinand. The Complete Works of William Shakespeare: (Calcutta: Oxford, 1980), V, II.
10. Saussure, Ferdinand. Cours de Linguistique generale (Geneva, 1916), ed. Charles Bally and Albert Secherhaye in collaboration with Albert Reiflinger: ed. And trans. As Course in General Linguistics by Wade Baskin (London: Peter Owen, 1959s).
11. Zima, Peter. Deconstruction and Critical Theory (London: Continuum, 2002).