( ISSN 2277 - 9809 (online) ISSN 2348 - 9359 (Print) ) New DOI : 10.32804/IRJMSH

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MUSIC IN INDIAN SCULPTURE & RAGMALA PAINTINGS

    1 Author(s):  DR. RICHA

Vol -  10, Issue- 6 ,         Page(s) : 96 - 101  (2019 ) DOI : https://doi.org/10.32804/IRJMSH

Abstract

India occupies an exalted position in the realm of art of the ancient world. If greeks excelled in the portrayal of the physical charm of the human body; the Indian were unsurpassed in transmitting the spiritual contents to their plastic forms embodying the high ideal and the common beliefs of the people. Indian art & music is deeply rooted in the religion. India is the birth place of three, of the world's great religions Hinduism, Buddhism and Jainism and these faiths have inspired most of our Indian art. Art & Music is very well connected to each other. Raagmala painting & music has interconnected to each other. The pictorial representation of the ragas of Indian music are essential for formulating the imaginative impulse which is responsible for transforming the notes of music into concert a forms or images. The pictorial representation of the ragas is necessary for visualizing the aesthetic or emotive essence of the ragas. In India as well other countries painting was a pin to literature and abstraction that was achieved by the painting and by music in India, there are appropriate melodies for the various seasons, there are paintings of musical modes and there are also Bramasi or seasonal lyrical poems. With their simplicity of line skillful orgnaisations of masses by mean of deep colours. Music is essentially an abstract art, allied to painting, it helps the letter to achieve a degree of a abstraction that is normal to music, directing the human soul of being, which is behind all patterns of sounds, shapes and colours. Ragmala painting shows the whole mood of Indian Classical ragas.

1. Dr. Ms. Reena Gautam, Sources of research in Indian classical music, P-61.
2. Rina Singha & Ragand Mossey, Indian Dance, P-20.
3. www.wikipedia/minaturepainting/rajput/mugal.
4. Historical study of music, swami prajayanand,  P-326
5. Dr. Ms. Reena Gautam, Sources of Research in Indian classical music, P-70.
6. O.C. Ganguly, Raga and Ragini, P-101 

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